As the brutality of the Apartheid state increased, Hugh finally left the country with the help of [Archbishop] Trevor Huddleston and his friends Yehudi Menuhin and Johnny Dankworth who got him admitted into London’s Guildhall School of music. Miriam Makeba who was already enjoying major success in the USA later helped him with Harry Belafonte, Dizzy Gillepsie and John Mehegan to get admission to the Manhattan school of Music in New York. Hugh finally met Louis Armstrong who had sent the Huddleston Band a trumpet after Huddleston told the trumpet king about the bank he helped start back in South Africa before deportation. With immense help from Makeba and Belafonte, Hugh eventually began to record, gaining his first breakthrough with “The Americanization of Ooga-Booga” produced by the late Tom Wilson who had been producer of Bob Dylan and Simon & Garfunkel’s debut successes…By the beginning of the 1970’s he had attained international fame, selling out all of America’s festivals, auditoriums and top nightclubs. Heeding the call of his African roots, he moved to Guinea, then Liberia and Ghana after recording the historical “Home is where Music is” with Dudu Pokwana.” —RitmoArtists
Also see “Grazing in the Grass.“
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